Post Mauryan Period (200 BC – 300 AD) – Clashes, Cultures, and Kingdoms in Ancient India
ASPECT OF POST MAURYAN PERIOD | INFORMATION ABOUT POST MAURYAN PERIOD |
BACKGROUND |
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SOURCES |
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SHUNGAS (187 BC – 78 BC): Guardians of Gangetic Culture and Artistic Flourish |
- Shungas has a Capital at Patliputra and a second capital at Vidisha (under son Agnimitra’s viceroy).
- Pushyamitra Shunga defended the country (the Gangetic valley) and its culture against foreign invasions (Greeks). Pushyamitra shunga erected Bharhut stupa.
- After Pushyamitra, his son Agnimitra ruled.
- Kalidasa’s play ‘Malvikagnimitra’ is a love story of the King Agnimitra and a handmaiden Malvika.
- A significant attempt at penetrating into India by Demetrius I of Bactria was countered successfully by Vasumitra, son of Agnimitra.
- Performed ‘Ashwamedh’ sacrifice for revival of Brahmanical order and patronised scholars like Patanjali and Manu.
- After Agnimitra, Vasumitra became the King and was succeeded by 7 more kings of the same dynasty.
- Shunga’s empire covered regions of Bihar, Bengal and Uttar Pradesh and northern Madhya Pradesh.
- The last ruler of the Shunga dynasty was Devabhuti, he was killed by Vasudeva who established the Kanva Dynasty which ruled in eastern and central India.
- Shungas issued gold and silver coins and they inherited and continued with the Mauryan structure of administration.
- They patronised Brahmanical order, yet, there was no antagonism towards Buddhism.
- Art and literature received due patronage under Shungas. Mathura school of art achieved new heights, especially in realistic human depiction. Accessories like gateways and stone railings were added to a number of
- Manu’s ‘Manavdharmashastra’ or ‘Manusmriti’ and ‘Kalidasa’s Malvikagnimitram’ are said to have been composed during this Post Mauryan Period.
- Yavanarajya inscription, Dhanadeva-Ayodhaya inscription mentions Shungas.
- Pushyamitra shunga erected Bharhut stupa.
KANVA DYNASTY (73 BC – 28 BC) |
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CHEDI DYNASTY |
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SATAVAHANAS: Art, Power, and Culture in Ancient Deccan |
POLITICAL SETUP |
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ADMINISTRATION |
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ART AND ARCHITECTURE |
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ECONOMY |
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SOCIETY AND RELIGION |
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LITERATURE |
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INDO-GREEKS (200 BC – 100 CE) |
- Indo-Greeks were the Greek people who settled in India and became localised over a Post Mauryan Period of time.
- Indo- Greek rule in India had 3 branches, namely, Bacteria i.e., North Afghanistan, Taxila (Takshashila) and Sakal or Sialkot which is now in Pakistan.
- An ambassador from the Taxila branch, Heliodorus was sent to the court of the King of Vidisha.
- Heliodorus got a stone pillar constructed in Greek style (different from Asokan style) which was dedicated to Lord Vasudeva.
- Demetrious and Menander or Milind are two significant rulers mentioned from the Sakal or Sialkot branch of Indo-Greek.
- Menander or Milind (165 BC – 145 BC) adopted Buddhism under Nagasen who wrote “MILINDPANHO” in Sanskrit. This book is a great source of history of this age.
- This branch also caused a lot of trouble to the kings of Ganga Valley i.e., Mauryans and Shungas.
- Indo-Greeks were the first to issue gold coins bearing inscriptions of images of Kings and Gods. India learned Use of the curtain (yavan) from the Greeks. The Greek term horoscope was derived from the term horasastra. They introduced the practice of governorship.
- Adopting Indian social and religious way of life they got indigenised.
- Growth of metallurgy, medicine, astronomy, stone-cutting, perfume-making are evidence of technical advancements under Indo-Greeks.
- Patronising both Buddhism and Hinduism, the greatest contribution of Indo-Greeks is witnessed in the development of Gandhara School of Art.
- In this, Greek techniques are applied over Buddhist themes and it is also known as Greeko-Buddhist Art.
- Taxila, Peshawar, Bactria, Bamiyan, Hadda; in Afghanistan; Baigram (Kashmir) were important sites of development of this school of art.
- Muscular body, beard and moustache are seen in the images of Buddha and Bodhisattvas. Images of Greek Gods and Kings too are reported.
- Use of grey sandstone, outer robe (Roman influence), facial images and andromorphic (human form) God (Greek influence) is evident in the Gandhara School of Art.
PARTHIANS |
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SAKAS (100 BC – 150 CE) |
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KUSHANAS (50 CE – 230 CE) |
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